I was working on a sci-fi inspired shooting, aiming for a futuristic look, a scene from a rusty, urban environment. I was collaborating with a very talented beauty makeup-artist and a special effects makeup artist who collaborated on the model's look and also crafted all the props in the scene with me. The headpiece was made from simple materials such as cables, parts of remote controls, old circuit boards and the base of the piece being an empty washing liquid bottle cut in half. The scene was lit with three lights: one main light with a beauty dish set quite far away from our model, a little light behind the wall on the left plus a light with a bare bulb illuminating the scene as a whole, lifting the shadows. As we were also filming the set, I used continuous lights only.